Showing posts with label rhyme. Show all posts
Showing posts with label rhyme. Show all posts

Sunday, June 19, 2011

"Science Verse" by Jon Scieszka, Illustrated by Lane Smith

Image Courtesy of: http://photo.goodreads.com/books/1172096723l/138643.jpg
Bibliographic Citation
Title: Science Verse
Author: Jon Scieszka
Illustrator: Lane Smith
Year of Publication: 2004
Publisher City: New York
Publisher: Viking Books
ISBN: 0670910570
Media Used for Artwork: Collage, Oil and Acrylic Paint

My Top 10 Favorite Picturebooks for Older Readers

Awards
·         Golden Duck Award Picture Book Winner, 2005
·         Parent’s Choice Award Non-fiction, 2004
·         American Library Association’s Notable Children’s Book, 2005

Annotation
 A student is cursed by his science teacher to see the poetry in science.  Each poem teaches a different aspect of science, often times using the rhythm of well known poems.

Personal Reaction
                This picture book is a collection of poems that relates to different aspects of science, from evolution to the Big Bang.  The character becomes obsessed with finding the “poetry of science in everything” and begins to think in rhymes and stanzas.  Scieszka did a very creative job of finding ways to teach what could be a very difficult subject.  This book is good for older readers who are beginning to take more advanced science classes in school and need help memorizing.  The use of popular songs and poems that most readers would know allows for easy memorization.  For example, the poem “Scientific Method At The Bat” would be a very usefully poem to teach student’s about the scientific method and the different steps.
                The character of the story not only thinks about poems of science but also becomes involved in each poem.  His skinny body and rounded head (similar to “Hey Arnold”) pops up in every scene, showing the all encompassing nature of the teacher’s words.  Smith’s artwork is amazing.  There are so many layers and textures.  He worked and made an effort to make the image work layer by layer.  There are also changes in style, so each one works well with the corresponding poem.  Like the layered collage monster from “Gobblegooky” and the Picasso-inspired illustration from “The Senseless Lab of Professor Revere.”

Curriculum: Several of these poems can be taken from the book to use in the curriculum of several grades.  From teaching about the parts of the human body to understanding how the food chain works.
Grade 6: Students in this grade begin to learn about the steps of experimenting in science from asking a question, making a hypothesis, to making a conclusion.  The poem, “Scientific Method at the Bat,” would be useful for a science teacher to use when teaching the steps of the scientific method.  Using the poem will make it easier for students to remember; especially when they conduct they’re first lab experiment in class.

Use of Rhyme: Several of the poems use rhymes, making them easy to remember.
Example from “Lovely:”
“I think that I ain’t never seen
A poem ugly as a spleen.”

Use of Rhythm:  Rhythm is easy to create in this picture book.  Scieszka has used the basic bones of famous poems that any reader will already know, such as “A Visit from St. Nicholas,” “The Raven,” and “Paul Revere’s Ride.”  Knowing the rhythm of these famous poems makes the poems written by Scieszka easy to recite, knowing the different beats.
Example from “The Senseless Lab of Professor Revere:”
“Listen, my children, and you shall hear,
Of how loud noises go in your ear.”

Sunday, June 12, 2011

"Cinderella Skeleton" by Robert D. San Souci, Illustrated by David Catrow

Image Courtesy of: http://mediamacaroni.com/wp-content/uploads/2009/10/cinderellaskeleton.jpg
Bibliographic Citation
Title: Cinderella Skeleton
Author: Robert D. San Souci
Illustrator: David Catrow
Year of Publication: 2000
Publisher City: New York
Publisher: Silver Whistle
ISBN: 0-15-202003-9
Illustrator Website: http://www.catrow.com/
   A video of Catrow drawing Cinderella Skeleton: http://vimeo.com/6650302
Media Used for Artwork: Pencil, Watercolor

My Top 10 Favorite Picturebooks for Older Readers

Awards
·         International Reading Association Children's Choices, 2001

Annotation
This picture book is a retelling of the fairytale Cinderella with a few unique twists that morph the world many are use to.  Cinderella is no long a beautiful living girl but instead a decaying skeleton.

Personal Reaction
                This isn’t the Disney version of Cinderella that people are use to; it is a reinvention of the story that is far closer to the darker, bloodier version by the Brothers Grimm.  No toes or heels are cut off in “Cinderella Skeleton” but foot bones are snapped off with ease.
                The story of “Cinderella Skeleton” is told as a poem.  Robert D San Souci used the rhythm scheme he created to his full advantage, while not taking away from the telling of the story.  The author must have been aware that his choice to make Cinderella a corpse could become quickly dark and choose to use humor to lighten the mood.  An example of this is that house in which Cinderella Skeleton resides “invites guests to REST IN PEACE.”
“Cinderella Skelton” will attract older readers who aren’t drawn to happily ever after Disney versions of fairy tales any more but still like fairy tales.  After reading this retelling, a reader can start searching out retellings of fairytales that are novel length, such as “Beastly” by Alex Flinn (or even watching the movie adaption).  The story of Cinderella is the one that readers know by heart but the reinvention of the characters and setting allows reader to see the story from another perspective.  It is also a way to teach that certain basic stories are constantly used throughout literature but are morphed to fit an author’s ideas or illustrator’s design.
The artwork is what drew me to this book in the first place.  Cinderella in this case is a skeleton with “teeth like polished kidney stones” and “dankish hair” that Prince Charnel (a very creative renaming of Prince Charming) adores.  One almost feels that David Catrow was inspired by Tim Burton films.  There are touches of Jack Skellington from “The Nightmare Before Christmas” and the bride from “Corpse Bride” in the illustrations.  Catrow illustrated the skeletons so that they would have such expressions and personalities.  And Cinderella Skeleton’s silk gown of spider web has a frightening elegance to it.  Beauty presented in an unexpected way.  Though the skeletons could be seen as frightening to some, others will be delighted in the humor Catrow also uses in his drawings.  For example: the carriage that takes her to the Halloween Ball is a funeral wagon, and instead of a mighty steed Prince Charnel rides a bicycle to search for his lost love.  Overall, this is a delightfully morbid retelling of a classic fairytale that is enhanced by the illustrations.

Use of Rhyme: Each stanza is broken up the same wait.  The first line always begins “Cinderella Skeleton,” and the rhythm scheme after is ABBCCA throughout.

Use of Alliteration: Throughout the poem repetition of the first letter of the word is used.  Some examples include:
Decayed, decrepit-what a fright.”
“And firmly packed with spite and spleen.”

Use of Onomatopoeia: Making a word from a sound is used a few times in this picture book.  Some examples include:
“Saw witch touch wand- Tip-tap!-to all.”
“Ignoring the thump of her footless stump.”

Use of Repetition: Throughout the story each stanza starts with Cinderella Skeleton.